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BARTOLOMEO VENETO Portrait of a Woman kki oil painting


Portrait of a Woman kki
Painting ID::  4950 		Artist: BARTOLOMEO VENETO
Painting: Portrait of a Woman kki
Introduction: Oil on wood, 43,5 x 34,3 cm Städelsches Kunstinstitut, Frankfurt
   
   
     

 

 

 
 

 

 

 
BARTOLOMEO VENETO Portrait of a Woman oil painting


Portrait of a Woman
Painting ID::  40285 		Artist: BARTOLOMEO VENETO
Painting: Portrait of a Woman
Introduction: mk156 Oil on panel 43.5x34.3cm
   
   
     

 

 

 
 

 

 

 
BARTOLOMEO VENETO Portrait of Ludovico Martinengo oil painting


Portrait of Ludovico Martinengo
Painting ID::  43052 		Artist: BARTOLOMEO VENETO
Painting: Portrait of Ludovico Martinengo
Introduction: mk170 dated 1530 June 16 Oil on wood 105.4x71.1cm
   
   
     

 

 

 
 

 

 

 
BARTOLOMEO VENETO St Nicholas of Bari oil painting


St Nicholas of Bari
Painting ID::  44303 		Artist: BARTOLOMEO VENETO
Painting: St Nicholas of Bari
Introduction: Oil on canvas
   
   
     

 

 

 
 

 

 

 
BARTOLOMEO VENETO Woman Playing a Lu oil painting


Woman Playing a Lu
Painting ID::  52247 		Artist: BARTOLOMEO VENETO
Painting: Woman Playing a Lu
Introduction: 1520 Oil on panel, 65 x 50 cm
   
   
     

 

 

 
 

 

 

 
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     Check All BARTOLOMEO VENETO's Paintings Here!
     Italian Painter, ca.1470-1531 Italian painter. He worked in Venice, the Veneto and Lombardy in the early decades of the 16th century. Knowledge of him is based largely on the signatures, dates and inscriptions on his works. His early paintings are small devotional pictures; later he became a fashionable portraitist. His earliest dated painting, a Virgin and Child (1502; Venice, priv. col., see Berenson, i, pl. 537), is signed 'Bartolomeo half-Venetian and half-Cremonese'. The inscription probably refers to his parentage, but it also suggests the eclectic nature of his development. This painting is clearly dependent on similar works by Giovanni Bellini and his workshop, but in a slightly later Virgin and Child (1505; Bergamo, Gal. Accad. Cararra) the sharp modelling of the Virgin's headdress and the insistent linear accents in the landscape indicate Bartolomeo's early divergence from Giovanni's depiction of light and space. An inscription on his Virgin and Child of 1510 (Milan, Ercolani Col.) states that he was a pupil of Gentile Bellini, an assertion supported by the tightness and flatness of his early style. The influence of Giovanni is still apparent in the composition of the Circumcision (1506; Paris, Louvre), although the persistent stress on surface patterns and the linear treatment of drapery and outline is closer to Gentile. Bartolomeo's experience as a painter at the Este court in Ferrara (1505-8) probably encouraged the decorative emphasis of his style. In the half-length Portrait of a Man (c. 1510; Cambridge, Fitzwilliam) the flattened form of the fashionably dressed sitter is picked out against a deep red curtain so that the impression of material richness extends across the entire picture surface. . Related Artists to BARTOLOMEO VENETO : | GIOVANNI DA RIMINI | William Aikman | BERLINGHIERI, Bonaventura | Jan Spanjaert | William Gershom Collingwood |

 

 

 
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